The inspiration for this week’s post is Carry A. Nation, the famous barroom smasher. Carry believed that alcohol was the root of all society’s evils, and she took hatchet to things she didn’t like (namely bars, whisky bottles and paintings of scantily clad ladies). Though some called her mad, her barroom appearances had the strange effect of *increasing* business for tavern owners, so much so they often invited her to smash up the joint. Carry didn’t mind, as her message was still being heard. She was also a shrewd marketer, and sold merchandise to support her cause. She lived comfortably and even ran a home for women and children whose lives had been effected by alcohol.
Given that I’m actually enjoying a Not Your Father’s Root Beer while writing this post, you can assume I will not be taking up the cause of temperance. The museum I work for is doing a fabulous fundraiser set in a 1910s saloon, which will feature none other than Carry Nation, as portrayed by my mentor Ellie Carlson of Ellie Presents. (Happily, our event is sold out, otherwise I’d be selling you tickets too.) Ellie owns an original Carry Nation hatchet pin, and was commenting that she couldn’t get anything like it to sell in character. Cue the laser.
Ellie’s pin is a brass hatchet that features a mother of pearl head, which cleverly stops just short of the edge of the brass to make it look like it has a wicked sharp blade. Brushed gold make a nice substitute for the brass, and I finally got to experiment with mother of pearl veneer.
We first played around with mother of pearl in the laser when we tested engraving on different bead materials back in Week 32. The beads turned out beautifully (if a little sooty. But that just made the engraving stand out better.)
Because our event was coming up in short order, I ordered a “pressure sensitive” (aka peel and stick) sheet of mother of pearl veneer off Amazon. at $25 for a 9×6 inch sheet, it’s not cheap, and I should ave read the reviews better. The reviews were poor for this seller, and upon opening the package, I found my sheet had the same issues. Oops. The iridescence, created by the nacre on the inside of the shell, was inconsistent. The package was flimsy, just a soft box and a sheet of styrofoam, so the surface was a spider web of cracks. Lesson learned – find a reputable seller. Timing and budget didn’t allow for a second sheet to be purchased.
The hatchets were small enough, I figured I could find a good spot on the sheet to cut them out. I went with a full hatchet head design rather than the one with the short back, like Ellie’s pin, mostly for ease in aligning the mother of pearl to the base. Carry Nation herself had a lot of different styles of pins, so I figured I could take the liberties. For laser settings, we gave it a little more power than card stock. It sliced through quickly and easily, though the edges were a little sooty, like the beads. Not unexpected for organic materials. (I later learned that when cutting mother of pearl with a knife you should cut from back to front. It’s a very brittle material – I’m not sure if it would have made a difference on the laser, though.)
After I peeled the backing off the cut veneer, I had another disappointment. I didn’t expect the mother of pearl to be so sheer! I could read through it. I expected more body, so it would standout from the brushed gold acrylic. Honestly, it was difficult to even see it was there at a glace. As a test, I cut out a silver version of the ax. The veneer stood out slightly better on it, but not enough to make a difference.
In the end, Ellie and I decided it was better to do the pins without the mother of pearl. This of course, isn’t a radical departure from Carry Nation herself – she sold a cheaper version of the pin without the mother of pearl as well. I want to try using the mother of pearl again, perhaps on earrings or accents, where the perfection of the sheet doesn’t matter as much. But I’m not sure it’s something I would order again.